It’s a Wonderful Life: A Live Radio Play

Adapted by Joe Landry
Directed by Mary Shaffer

It’s A Wonderful Life is based on the story The Greatest Gift by Philip Van Doren Stern. The Greatest Gift is used by permission of The Greatest Gift Corporation.

December 4-7, 11-14, 2025
St. Mary’s Church, Lowertown St. Paul

This beloved American holiday classic comes to captivating life as a live 1940s radio broadcast. With the help of an ensemble that brings a few dozen characters to the stage, the story of idealistic George Bailey unfolds as he considers ending his life one fateful Christmas Eve.

Creative & Production Team

Director - Mary Shaffer
Assistant Director / Foley Designer - Ben Stefonowicz
Costume Designer - Grace Maunula
Hair & Makeup Designer - Sofia DeBoer
Environment Coordinator - Savannah Siegler
Production Manager- Samantha Wend Vargo
Stage Manager - Caroline Redelmeier
Production & Design Support - Hannah Reller

Audience Engagement Team

Social Media Manager - Clare Kracht
Graphic Design - Caroline Berlage
House Manager - Ana Martin, Bernadette O’Keefe
Box Office Manager - Jenelle Suchy
Promo Photographer - Kris Follmer

Cast

Payton Morris—Freddie Filmore (Announcer, Joseph the Angel and others)
Fr. Aric Aamodt—Jake Laurents (George Bailey)
Emma Knapik—Sally Applewhite (Mary Hatch)
Christina Malloy—Lana Sherwood (Violet Bick and others)
Nick Messer—Harry "Jazzbo" Heywood (Clarence the Angel and others)

Bella Schaps—Usher / Commercial Ensemble
Shannon Rouston—
Usher / Commercial Ensemble
Veronica White—
Usher / Commercial Ensemble
Roni Lapczynski—
Usher / Commercial Ensemble
William Gomes—Pianist, Minor Characters

A Note from the Director

As a girl, I fell in love with young George Bailey as deeply as Mary Hatch at the drugstore counter. I loved his heroism and his swagger. He was virtuous without being pious. This happy combination was a relief to a young Catholic raised on picture books of doll-faced, flowery-tongued saints who oozed perfection. Here was a boy I could lose my heart to.

It’s a Wonderful Life remained one of my favorite Christmas stories into adulthood. At a certain point I realized I was no longer in love with George Bailey–I wanted to be George Bailey. Because despite the gradual grinding down of his grandiose dreams into the dust of daily life, the heart of a hero still beats as loudly in middle-aged George as when he thought he could lasso the moon. He can’t let the Building and Loan die because it is the last bastion of love for one’s neighbor in a town that would otherwise be consumed by one man’s greed.

Clarence the Angel tells George, “One man’s life touches so many others.” This is true whether we touch others for good or evil. Mr. Potter’s life also touches many others as the spider spins his webs to trap all within his grasp. In our own spheres of life, each of us is continually choosing to become a George or a Potter. And George’s foray into nonexistence shows us that it is catastrophic to reject this choice, attempting to touch no one. In The Brothers Karamazov, one of Dostoevsky’s characters tells another, “We are each responsible for each.” To abdicate this responsibility means to leave a gaping hole in the fabric of the lives around us.

For those of us who make art, the creative act is a powerful way we choose to let our lives touch others. Each actor and craftsman who has labored to help you hear the parable of Bedford Falls with fresh ears in this radio broadcast rendition has accepted a certain responsibility for you. In the hour and a half we have to affect your life, we want to give you a gift. We hope you feel the sincerity with which our lives are reaching out to touch yours for the good. And we hope you leave this place renewed in the conviction that our world’s epidemic of loneliness can only be stemmed by heroes like George Bailey, Mary Hatch, and you. You see, you really have a wonderful life.

—Mary Shaffer
MTBT Co-Founder and Artistic Director